Andromeda Yelton talks about the implications of the Adobe Digital Editions security issues.
This is about the fact that we do not have the technical skills to verify whether our products are in line with the values we espouse, the policies we hold, or even the contracts we sign, and we do not delegate this verification to others who do. Our failure to verify affects all the software we run.
I agree with her that we need to take stronger stances in contracts. Libraries spend too much money on a variety of content and services every year to just accept the barely acceptable products we usually receive for it.
Adobe is gathering data on the ebooks that have been opened, which pages were read, and in what order. All of this data, including the title, publisher, and other metadata for the book is being sent to Adobe’s server in clear text.
I am not joking; Adobe is not only logging what users are doing, they’re also sending those logs to their servers in such a way that anyone running one of the servers in between can listen in and know everything,
But wait, there’s more.
Adobe isn’t just tracking what users are doing in DE4; this app was also scanning my computer, gathering the metadata from all of the ebooks sitting on my hard disk, and uploading that data to Adobe’s servers.
In. Plain. Text.
And just to be clear, this includes not just ebooks I opened in DE4, but also ebooks I store in calibre and every Epub ebook I happen to have sitting on my hard disk.
I was just talking last week about my wish libraries would spend more time on electronic security. Patron privacy isn’t only one of librarianship’s core ideals, the trust we’ve built up over centuries is one of best resources, one that’s more important now than ever before as our patrons trust so few other organizations.
We must fundamentally change how we view libraries and move from a historical idea of libraries as merely physical repositories to seeing them as an opportunity for proactive community engagement.
There is a great opportunity for public libraries in this area as one of the few public spaces left. But there is also a place for academic and special libraries as well. The community doesn’t differentiate between the different kinds, to them we’re all simply libraries.
Google Analytics has some great multi-device features built in; however, with responsive design, we are really designing for form factors, not for devices. In this article, we’ll demonstrate how WURFL.js and Google Analytics can work together to show performance metrics across form factors. No more guessing.
Smashing Magazine is one of the best of the online webdesign magazine. It’s well worth keeping up with for new techniques.
This document is intended to help library web developers decide how to label key resources and services in such a way that most users can understand them well enough to make productive choices. It compiles data from usability studies evaluating terminology on library websites, and suggests test methods and best practices for reducing cognitive barriers caused by terminology, and provides an extensive list of resources.
I’ve been meaning to post this for a while. Jargon is one of my biggest concerns about library website design. We use all these terms just assuming that our patrons understand them without checking that they do.
A group of NGOs, including the Electronic Frontier Foundation, offer a suite of tools for diagnosing and mitigating the kinds of attacks faced by dissidents and independent media all over the world, especially when they threaten the powerful.The Digital First Aid Kit includes a secure communications layer, as well as sections on hacked accounts, DoS, seizure of devices and malware attacks on your site and network. You can modify and share the kit, downloading it from github, where it carries a Creative Commons Attribution Share Alike license.
The Metropolitan Museum of Art (www.metmuseum.org) Bequest of Miss Louise Veltin, 1937 Nocturne John La Farge
The Metropolitan Museum of Art has created a collection of digital reproductions of artworks that it has been able to verify as out of copyright. They are marked on the individual record pages with an “OASC” (Open Access for Scholarly Content) graphic below the image. There are the basic non-commercial, educational, or fair-use limits and a lot of use information including how to cite them on the FAQ.
You inevitably need images for something, a new design or a blog post, and while the web is full of photos, most of them aren’t for reuse or only in limited ways. This is a collection of places to find copyright-free imagery you can use however you need.